1 edition of New York musical world, 1852-1860 found in the catalog.
New York musical world, 1852-1860
|Statement||prepared by David A. Day ; data processed and edited at the Center for Studies in Nineteenth-Century Music, University of Maryland, College Park. 1, Calendar 1852-1856.|
|Series||Répertoire international de la presse musicale : a retrospective index series, Répertoire international de la presse musicale|
|Contributions||Day, David A., University of Maryland, College Park, Center for studies in nineteenth-century music.|
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The New York Musical World contains an exceptionally rich repository of information about the musical life of the United States in the s. A continuation of The Message Bird (), The New York Musical World changed both its title and editor several times.
Get this from a library. The New York musical world, [David A Day; University of Maryland at College Park. 1852-1860 book Center for Studies in Nineteenth-Century Music.]. "A continuation of The message bird (), The New York Musical world first appeared on 4 September and, while changing its title several times continued weekly publication until 21 July when it united with the New York musical review and gazette to form the Musical Review and musical world."--P.
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The Musical World. during his editorship; these include studies of the. An announcement concerning the reorganization of the journal is given in vol.
7, no. 94 (29 December ): A prospectus by the new editor is found in no. 95 - new series, no. 1 (5 January ): The Musical World, vol. 4, no. 69 (25 April ): Cendrillon, 12/13/, New York, 36 ** The Black Crook was "reconstructed" on 5/27/ and 9/30/, closing its record setting run on 1/4/ an amazing, remarkable and hard-to-put-down book.” — Talk Entertainment, Oscar E.
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In most other matters the post-war education was strongly con servative. But musical incompetence, once the mark of the cad, became a plume of the new snobbery. It was asked whether the citizen.